Tony Tedeschi and John Decker play the two lucky white-faced performers who do a decent job of ravishing Rebecca Lord's ultra-lean frame. The film's narrator (an odd sewer dweller) reminisces about an instance at the old Café where his favorite performer reluctantly took on a couple of mimes. The infamous Café has since closed and Violet Chinchilla (Jeanna Fine) has made it her crusade to reopen it. As a side effect of the nuclear fallout, 99% of the population (negatives) is incapable of having sex, leaving the other 1% (positives) as a source of popular entertainment. The movie takes place several years after the original. There's still a few condoms, but most of the scenes feature bareback action and several facials. In addition to being Passolini's first movie, Café Flesh 2 is also one of the last big movie's VCA made before imposing their mandatory condom and non-facial cum shot policy. Antonio worked with both legendary directors before breaking out on his own as one of VCA's exclusive directors. Antonio Passolini's vision of the post-apocalyptic future includes elements of Gregory Dark's kinky setups and the exquisitely captured visuals of a Michael Ninn film. For a directorial debut, Café Flesh 2 is an incredible movie.
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